#N canvas 510 55 623 548 12;
#X declare -stdpath ./;
#N canvas 353 76 558 670 fft-analysis 0;
#X obj 32 186 *~;
#X obj 32 105 inlet~;
#X obj 32 248 rfft~;
#X obj 50 160 tabreceive~ \$0-hann;
#X obj 32 365 *~;
#X obj 71 365 *~;
#X obj 30 33 block~ 512 4;
#X text 197 159 window function as before.;
#X obj 89 205 tabreceive~ \$0-gain;
#X obj 89 235 *~;
#X obj 32 518 *~;
#X obj 50 492 tabreceive~ \$0-hann;
#X obj 89 310 /~ 768;
#X text 132 235 Just to show we're doing something \, we multiply each channel by a gain controlled by an array in the main window. The control is quartic-scaled for easy editing., f 55;
#X obj 89 263 *~;
#X text 107 357 Multiply the (complex-valued) spectrum amplitudes by the (real-valued) gain-and-normalization-factor, f 50;
#X obj 32 421 rifft~;
#X obj 31 599 outlet~;
#X text 76 518 Multiply by the Hann window function again \, necessary because the operation we performed might result in a signal that doesn't go smoothly to zero at both ends., f 53;
#X text 129 19 [block~] object specifies vector size of 512 and overlap four. This window now computes blocks of 512 samples at intervals of 128 samples computed on the parent patch.;
#X text 92 101 The [inlet~] now reuses 3/4 of the previous block \, along with the 128 new samples., f 44;
#X text 154 289 divide by 3N/2 (factor of N because [rfft~] and [rifft~] aren't normalized \, and 3/2 is the gain of overlap-4 reconstruction when Hann window function is applied twice.), f 50;
#X text 100 398 Real-valued inverse Fourier transform. This uses only the first N/@ points of its inputs \, supplying the rest by symmetry (so it's OK that [rfft~] only puts out those N/2 points.) There's only one outlet because the output is real-valued.;
#X text 107 583 This repackages the output into 64-sample chunks for the parent window. Since we're operating with an overlap \, the [outlet~] object performs an overlapped sum of the blocks computed in this window.;
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#X connect 1 0 0 0;
#X connect 2 0 4 0;
#X connect 2 1 5 0;
#X connect 3 0 0 1;
#X connect 4 0 16 0;
#X connect 5 0 16 1;
#X connect 8 0 9 0;
#X connect 8 0 9 1;
#X connect 9 0 14 0;
#X connect 9 0 14 1;
#X connect 10 0 17 0;
#X connect 11 0 10 1;
#X connect 12 0 4 1;
#X connect 12 0 5 1;
#X connect 14 0 12 0;
#X connect 16 0 10 0;
#X restore 144 406 pd fft-analysis;
#N canvas 687 159 571 372 Hann-window 0;
#N canvas 0 0 450 300 (subpatch) 0;
#X array \$0-hann 512 float 0;
#X coords 0 1 511 0 200 120 1;
#X restore 293 151 graph;
#X msg 181 165 0;
#X obj 75 214 osc~;
#X obj 75 166 samplerate~;
#X obj 75 237 *~ -0.5;
#X obj 75 260 +~ 0.5;
#X obj 57 285 tabwrite~ \$0-hann;
#X text 279 143 1;
#X text 272 261 0;
#X text 288 274 0;
#X obj 75 190 / 512;
#X obj 57 123 bng 19 250 50 0 empty empty empty 0 -6 0 8 #dfdfdf #000000 #000000;
#X text 399 126 Hann window;
#X text 123 212 period 512;
#X text 100 117 recalculate Hann;
#X text 135 132 window table;
#X obj 57 82 loadbang;
#X text 474 277 511;
#X text 91 26 The Hann window is now recomputed on [loadbang] to make the file smaller (it doesn't have to be saved with the array.);
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#X restore 349 477 pd Hann-window;
#X obj 144 440 output~;
#X obj 144 375 noise~;
#N canvas 0 0 450 300 (subpatch) 0;
#X array \$0-gain 256 float 0;
#X coords 0 1.025 255 -0.025 512 100 1 0 0;
#X restore 54 205 graph;
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#X text 38 294 0;
#X text 38 195 1;
#X text 51 304 0;
#X text 548 307 22K;
#X text 267 180 GAIN;
#X obj 403 27 declare -stdpath ./;
#X text 407 411 <-- reset gain;
#X msg 349 412 const 1;
#X text 173 323 Click on the array to draw and change the gains.;
#X obj 349 385 loadbang;
#X obj 66 20 cnv 5 5 25 empty empty Fourier\ Resynthesis 15 13 0 16 #dfdfdf #202020 0;
#X text 53 68 Using Fourier resynthesis you can take an incoming sound \, operate on its spectrum \, and hear the result. Here we start with white noise and apply a frequency-dependent gain table \, which works as a graphic equalizer (click on it and drag to alter it). There are N/2 = 256 points \, each spaced SR/512 Hz apart (although their frequency ranges overlap). Open the subpatch [pd fft-analysis] to see the workings., f 73;
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